Cardiovascular effects of Mozart’s music: a systematic review

Authors

DOI:

https://doi.org/10.28998/rpss.e02106021

Abstract

Over the centuries, music has been used to uplift people’s spirits. Mozart’s compositions, compared to those of several other classical authors such as Brahms, Bach and Haydn, have a much higher average frequency. Therefore, modulations in the frequency domain of Mozart’s music may have a greater influence on neurophysiological activity, with parasympathetic effects proven by the literature. Thus, the present review aimed to assess the effectiveness of Mozart’s music in improving cardiovascular functions, as well as identifying a pattern in works that have a greater effect. A systematic review of randomized controlled trials of an exploratory and qualitative nature was carried out in the PubMed, LILACS, Scielo and BVS databases. The effects of Mozart’s arrangements were compared to those of silence, pop songs, arrangements by other classical composers and ‘white noise’. In this sense, Mozart’s melodies tested by the studies had a more pronounced lowering effect on systolic and diastolic blood pressure in all clinical trials. Changes in heart rate, in the double product and in the level of serum cortisol were also observed. Music therapy has been shown to be increasingly efficient in the treatment of patients with cardiovascular disorders and can be a low-cost and affordable alternative for the treatment of Systemic Arterial Hypertension. Thus, Wolfgang Amadeus Mozart stands out before other composers, due to the unique characteristics of his compositions, and further studies are needed, with methodological improvements, in order to improve musical therapy and its use in cardiology.

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Author Biographies

Gabriel Lessa de Souza Maia, Centro Universitário Tiradentes - UNIT/AL

Acadêmico do Curso Medicina no Centro Universitário Tiradentes - UNIT, Maceió-AL (2019.2-Atual). Membro da Academia Europeia de Neurologia e Coordenador de Extensão, Ensino e Pesquisa do Centro Acadêmico de Medicina "12 de Outubro" - CAMU (2020-2021). Presidente da Liga Acadêmica de Medicina Legal e Perícias Médicas (LAMELP) (2020-atual). Membro da Liga Acadêmica de Ciências Neurológicas Aplicadas (LACNA) (2020-atual). Membro da Liga Acadêmica de Psicanálise da Unit (LAPSI), na Diretoria de Pesquisa (2020-atual). Participa de pesquisas nos ramos da estética filosófica, romantismo alemão, música de câmara austríaca, mitologia greco-romana e suas correlações com a neurologia, psiquiatria, medicina legal e psicanálise.

Maria Rosa da Silva

Graduada Enfermagem pela Universidade Federal de Alagoas/UFAL.Doutoranda na Faculdade de Saúde Pública da Universidade de São Paulo (USP) em 2019. Mestre Ensino na Saúde na FAMED/UFAL (2018).Especialização em Preceptoria do SUS pelo Hospital Sírio Libanês (2013).Especialista em Enfermagem Pediátrica e Neonatologia pela Faculdade Integrada de Patos (FIP/2016). Especialista em Urgência e Emergência pelo IBPEX (2010).Enfermeira do Hospital Santa Casa de Misericórdia de Maceió(2008/abril 2013). Coordenadora do Projeto de extensão Sorriso de Plantão/UFAL desde 2003.Professora no Centro Universitário Tiradentes (UNIT) desde 2012, disciplina de Integração em Ensino, Serviço e Comunidade-IESC no curso de medicina. 

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Published

2021-08-05

How to Cite

Lessa de Souza Maia, G., & Rosa da Silva, M. (2021). Cardiovascular effects of Mozart’s music: a systematic review. Revista Portal: Saúde E Sociedade, 6(Fluxo contínuo), e02106021. https://doi.org/10.28998/rpss.e02106021