Desajustados en el mundo: cambio cultural a través de prácticas culturales crip
Desajustados no mundo: mudança cultural através de práticas culturais aleijadas
DOI:
https://doi.org/10.28998/rm.2023.13.14022Palabras clave:
Arte de la discapacidad, Prácticas culturales crip, COVID-19, Creación de mundos, NecropolíticaResumen
Basándonos en nuestra participación en las artes de personas sordas, discapacitadas y locas de América del Norte (Isla Tortuga), este artículo presenta y explora cómo “las prácticas culturales crip”, prácticas culturales nacidas de la cultura de la discapacidad que ponen en el centro a las personas con discapacidad y nuestra política, contribuyen a la construcción de mundos. Comenzamos con una descripción de cómo los primeros días de la pandemia sirvieron como una interrupción cultural que nos desafió a pensar en cómo nos reunimos alrededor de las artes y la cultura. A continuación, ofrecemos una breve revisión de cómo los estudios sobre discapacidad y el activismo en torno a la discapacidad critican la normalidad. Considerando cómo las organizaciones artísticas y culturales respondieron a las medidas de salud pública de la Covid-19, argumentamos que en su mayoría el sector falló al buscar la “sabiduría crip” (LAKSHMI PIEPZNA-SAMARASINHA, 2016), impidiendo la transformación de prácticas pandémicas temporales en prácticas culturales crip sostenibles. Concluimos con algunos ejemplos clave que demuestran cómo las prácticas culturales crip apuntan hacia mundos discapacitados necesarios para la supervivencia de las personas con discapacidad.
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