No. 14 (2023): New trends in Visual Anthropology: multimodal ethnographies, art and plural epistemologies

View No. 14 (2023): New trends in Visual Anthropology: multimodal ethnographies, art and plural epistemologies
Published: 2023-12-19

  • Expediente e Sumário

    1–11
    DOI: https://doi.org/10.28998/rm.2023.14.17034

Apresentação

  • New trends in visual anthropology: multimodal ethnographies, art and plural epistemologies

    Gabriel Omar Alvarez, Renato Athias, Mariana Rivera
    12–16
    DOI: https://doi.org/10.28998/rm.2023.14.17022

Novas tendências na Antropologia Visual

  • "We have a Dream": how to translate totemic existential territories through digital tools "We have a Dream": how to translate totemic existential territories through digital tools

    Barbara Glowczewski; Renato Athias
    17–40
    DOI: https://doi.org/10.28998/rm.2023.14.15749

  • The photoethnography between science and the sensible La photo-ethnographie entre la science et le sensible

    Larissa Fontes
    41–55
    DOI: https://doi.org/10.28998/rm.2023.14.15610

  • Ore Nhembo'e: Singing-Dancig for the healing of the Earth

    Ana Lúcia Ferraz
    56–65
    DOI: https://doi.org/10.28998/rm.2023.14.15611

  • Archive-Oracle: for a hunting, dreaming and archaeological anthropology of living schools

    Cacá Fonseca, Filipe Britto, Glicéria Tupinambá, Laura Castro
    66-71
    DOI: https://doi.org/10.28998/rm.2023.14.15595

  • Intimacy and violence in contemporary Latin American film

    Gabriela Zamorano Villarreal
    72–92
    DOI: https://doi.org/10.28998/rm.2023.14.15794

  • The anthopologist goes to YouTube: latin american political film as a field of research

    Janaina Silva de Oliveira
    93–105
    DOI: https://doi.org/10.28998/rm.2023.14.15590

  • Pictures: the process of building theatrical images at the Farol Assembly of God

    Thais Santana Galvão
    106–114
    DOI: https://doi.org/10.28998/rm.2023.14.15597

  • Ephemeral? Barcelona's walls (and the internet) as art gallery

    Marcos Alexandre dos Santos Albuquerque
    115–127
    DOI: https://doi.org/10.28998/rm.2023.14.15588

  • Repair: extending the life of objects, audiovisual production, research and transmedia

    Hugo Chávez Carvajal, Casandra Sabag Hillen
    128–139
    DOI: https://doi.org/10.28998/rm.2023.14.15606

  • Memórias de Sotão: poetics of the body and videoperformance

    Miquéias Silva Queiroz, Leonardo da Silva Souza
    140–154
    DOI: https://doi.org/10.28998/rm.2023.14.15566

  • Handcraft straw art at the São Joaquim Fair

    Lucas Barreto de Souza
    155–161
    DOI: https://doi.org/10.28998/rm.2023.14.15739

  • Documentary The Life of São Jorge: filmed, memory of a "mise-en-scène of the encounter"

    Max Freitas Bittencourt
    162–175
    DOI: https://doi.org/10.28998/rm.2023.14.15533

  • Photoethnography: the photographic exhibition "charms, dance and looks" with the children of Estrada Velha in Acarape/CE

    Sol Alves de Lima, Luan Rodrigues do Nascimento, Nathália Medeiros Mesquita
    176–186
    DOI: https://doi.org/10.28998/rm.2023.14.15612

  • Oyster Festival: of ritualization, gastronomy and quilombola ethnicity

    Carlos Caroso, Fatima Tavares
    187–208
    DOI: https://doi.org/10.28998/rm.2023.14.15736

  • Port of Suape image collections: future projects, present resistance

    Alex Giuliano Vailati, Maíra Souza e Silva Acioli
    209–234
    DOI: https://doi.org/10.28998/rm.2023.14.15735

  • To-do-city-with-wheels: a drawn (etno)graphic of a public market in João Pessoa-PB

    Lara Amorim, João Vítor Velame
    235–265
    DOI: https://doi.org/10.28998/rm.2023.14.15608

  • Learning in practice: feminist experience with affection and education in a pandemic context

    Tayná Almeida de Paula
    266–289
    DOI: https://doi.org/10.28998/rm.2023.14.15867